![]() ![]() Insidious is a different shade on Wilson, who appears elsewhere as the calm voice of earnest belief in the unexplainable.īut it’s not just a reliably great Wilson that makes Insidious a classic of the decade. Instead, in the Insidious universe, he’s a hard skeptic who shoos Lin Shaye’s Elise from his home when she speaks nonsense about demons and dimensions. Unlike Wan’s other big horror franchise of the 2010s, The Conjuring, Patrick Wilson does not play a deceptively wholesome ghost hunter. With the help of a paranormal investigator Elise (Lin Shaye) and her assistants (one of them played by filmmaker Leigh Whannell, who has since directed Insidious sequels), Josh journeys into the nightmarish realm of “The Further” to rescue their son’s soul. Soon, the Lamberts learn it’s not the house that’s haunted, but the family themselves. ![]() The perfectly normal Lambert family - led by father/husband Josh (Patrick Wilson) and mother/wife Renai (Rose Byrne) - move into a new home, only to find themselves at the mercy of a sinister presence that renders their son Dalton (Ty Simpkins) into a coma. Here’s why you need to watch Insidious, streaming on Netflix right now.Īt its core, Insidious is a classic haunted house movie. What’s more, Insidious introduced a style that became the undeniable horror flavor of the 2010s. Ten years ago, Wan released his fourth feature Insidious, which struck gold at the box office and spawned a new 21st-century franchise with three sequels and more on the way. ![]() Little did he know it, but Wan would redefine horror cinema again. “I wanted to prove to people that I could make a very classic, old-fashioned haunted house film and show that I could make scary films without relying on blood and guts.” While Wan didn’t direct the far bloodier sequels of Saw, he wanted to prove he wasn’t a splatter artist. “It made a lot of people in Hollywood think that I was ‘ that guy,’ that that was the only kind of movies I made.” “It really marginalized me as a filmmaker,” Wan said. He told Entertainment Weekly in 2013 that he found the movie a blessing and a curse. Despite the success of Saw, the indie sensation renowned for establishing “torture porn” as the preeminent horror sub-genre of the 2000s, director James Wan was unsatisfied. ![]()
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